Showing posts with label william morris. Show all posts
Showing posts with label william morris. Show all posts

3/17/2017

Arts and Crafts



This textile design has been based on a simple repeating pattern based around circles and was inspired by a visit to St Giles's church in Cheadle Staffordshire, designed by Pugin. I used one of my miniature paintings of a dragonfly resting on a water lily. The fabric will be available to purchase shortly and can be found in my Acornmoon Spoonflower shop, see links in the sidebar.


The hare badge is just one of many recent experiments and creations, using a badge making machine and images from my miniature paintings. These are now in my Acornmoon Etsy shop.


This lovely old Arts and Crafts house is just one of the many places we visited recently. Wightwick Manor is filled with William Morris furnishings, Rossetti paintings and many more splendid examples of decorative art of the Arts and Crafts Movement. The property is owned by The National Trust and is situated close to Wolverhampton.


William Morris took his inspiration from Medieval arts and crafts. This small piece of gilding is something I started at a calligraphy workshop, it too is inspired by an old illuminated manuscript. I have used transfer gold leaf applied to a base of PVA, this is a modern product but the principle is the same and I feel fairly certain that had it been around all those years ago the monks would have used it!


8/29/2013

Presses old and new.




As the sun shines on this glorious summer I have been sitting at my desk painting Christmas candy canes and St Nicholas himself, none of which I can show alas!

However, we found time to return to London and revisit Hammersmith, this time with camera and ticket to visit Emery Walker’s House, possibly the most well preserved Arts and Crafts House in Britain. Although there are no doubt grander houses, to step through the doors of No 7 Hammersmith Terrace is to enter the world not only of Emery Walker, William Morris, Rossetti and Cobden Sanderson but to enter a more domestic, feminine world that made this house into a home.



Emery Walker was a typographer, printer and mentor to William Morris; they met through their shared political ideals and became great friends. Emery helped in the establishment of The Kelmscott Press and was a partner in The Dove Press with Cobden-Sanderson. If you visit the house you will be taken back to the days when Emery was a married man with a young daughter Dorothy, who continued to live in the house for the rest of her life. When Dorothy grew older she had a young Dutch companion who also remained there until her death, thus ensuring the continuity of both the house and its contents. You get a real sense of homeliness here, not only are there original Arts and Crafts furnishings, wallpapers etc but also paintings, prints, books and all the paraphernalia of life - an eclectic mix of possessions which make this a home rather than a museum.

You can wander through the garden which fronts the river Thames and get a glimpse of Hammersmith Bridge where Cobden-Sanderson was believed to have stood before he threw the entire type from the Dove Press into the water below after a bitter dispute with Emery. I wonder if it is still there in the muddy depths and what ghostly tales it could tell?



After taking some refreshment at The Black Lion, we continued our walk to Kelsmcott House where we saw some prints being made on William’s lovely old Albion Press. I came home with some purchased for the bargain price of £1 each!

And now for my news; goodness knows what William would have made of our modern world but, the first of my picture books has been made digital and is in the app store now. You can see it here- “White is the Moon” (Auryn Inc) has moved into a new millennium complete with sounds and words, which appear when you touch different parts of the illustrations. For example, if you touch the moon, the written word appears and a voice says “Moon”, how exciting is that? William must be turning in his grave! I hope not.

7/06/2011

Strawberries.



“Doubtless God could have made a better berry, but doubtless God never did. ” William Butler

No doubt, like me, you will have been feasting on fresh, ripe strawberries, maybe even eating them at Wimbledon? Nowadays strawberries are available all year round, or so it seems, but there is something rather special about eating a homegrown strawberry in July. Is it my imagination or do they simply taste better when they have had the chance to mature naturally?

Strawberries have inspired artists and designers over the centuries, there is something rather irresistible and satisfying about that plump, red, heart shaped berry with the tiny, decorative seeds dotted around its middle.



This “Strawberry Thief” design by William Morris will always be linked in my mind with this time of year. Maybe because it was one of the first textile designs that I studied as a schoolgirl and needed to apply that knowledge to summer exams!

Morris was said to have been inspired by the sight of thrushes stealing fruit from his garden at Kelmscott Manor. It presented him with many problems during printing, which he finally overcame, although it took many attempts and several years to produce the desired effect, which used a red alizarin dye, and a yellow weld combined with indigo blue.
I think I love it the most of all of his designs and my heart still skips a beat every time I see it.