A is for Apple.

It’s that time of year again, when apples hang ripe on the bough and children return to school. My garden is not big enough to accommodate a full size apple tree but I have an ornamental crab apple, which is laden with fruit at the moment, later this will provide the birds with some food when the weather turns colder.



My memories of starting school and apples are inextricably linked, maybe because my old-fashioned Victorian style classroom had a wall frieze showing all the letters of the alphabet accompanied with a simple illustration. Every day we would recite, “A is for Apple, B is for Ball, C is for Cat….” whilst the teacher pointed to the appropriate place on the wall. I was fortunate enough to be able to go home for my “dinner” at midday. My father would be home also, he worked in a nearby paper mill, mum would have spent the morning cooking and baking to prepare a two-course meal and home made apple pie was often on the menu.

My apple illustration is taken from “An Illustrated Address Book” published by Blackie and Son Ltd. The other illustrations are by Walter Crane and can be found here, a marvelous treasure trove on the web.




We no longer have anyone in our household who will be returning to school this term, instead we are planning something very exciting, so until then I hope you all enjoy what is left of the summer and help yourself to another slice of apple pie.

Children of the summer sun.

The design above shows an English formal garden with a honeybee skip. Just as important for our gardens and possibly for our survival as a species are the wild bees, or as the poet John Clare (1793 - 1864), called them, "Children of the summer sun"

'These children of the sun which summer brings
As pastoral minstrels in her merry train
Pipe rustic ballads upon busy wings
And glad the cotters' quiet toils again.......



I finally got around to doing some gardening this month; everything is in dire need of attention. The good news is the wildlife seems to be enjoying my tardiness. I came across a mound of mossy and grass, about the size of a football, at first I thought it was a bird’s nest on the ground and foolishly I picked it up. Immediately a swarm of bumbles flew out, naturally I tried to make good the damage I had done and in the few seconds available I managed to see the inside of the nest which seem to consist of many cells.

Despite many attempts to photograph the bees, I have only managed a few blurry attempts but if you look closely you can see what I believe to be a Carder Bee. Click on the photo above, you can see the blue/green fly, look to the left, behind the grass, can you see the little guy? It seems that they comb the moss and grass in order to make the nest, hence the name Carder Bee!

We also have another species of bee making use of the bee house. It looks like a Leaf Cutter Bee and if you look at the photo below you can see the tiny pieces of leaf placed in the bamboo canes.



Every year I try to hack back the Buddleia, it grows too big for my garden but I leave it alone whilst in flower as the butterflies love it. The Japanese Acer in the pot is a new acquisition bought at nearby Tatton Park Garden. I hope it will survive the winter outside, I have lined the pot with bubble wrap but am not sure what else to do other than placing it in a sheltered spot. The crab apples provide food for the birds over autumn and look more like cherries than apples when they ripen.


Last but not least, I have made a start on a new painting. It’s hard to fit in personal work whilst trying to keep on top of day to day “potboilers”, they sort of work that pays the bills like greeting cards etc. Goodness knows when I shall finish it but I feel so much better now I have made a start! I hope you all enjoy your summer too and thanks as always for visiting.

To find out more about bumblebees please visit The Bumblebee Conservation Trust.

Antiques for Everyone Fair

I’ve been very preoccupied recently with helping my mum purchase a retirement flat and feel that I have been wading through mud as far as creating anything new artistically. I seem to spend more and more time sitting at my computer, trying to get to grips with some new programme or other, at the moment I am doing battle with Indesign. It is always so much more difficult to learn from a book but feel reluctant to enroll on anymore evening classes so I suppose I will just have to carry on regardless. I have been thinking for some time now about getting some of my children’s books back into print through one of the POD companies, one of the reasons why I need Indesign.

Light relief has been found in bookbinding, making origami structures from folded Elephanthide. In case you are wondering, I have not skinned an endangered species; Elephanthide is a very tough paper, which lends itself to paper folding! You can see the finished result here-


I also had some illustrations exhibited at The National Exhibition Centre in Birmingham where I met up with Mike and Hilary Emeny from Books Illustrated Ltd. (see above) at the Antiques for Everyone Fair.The day I went they were very excited to have sold an original Arthur Rackham. Other works on their stand included Ernest Shepard, Edmund Dulac and Annie French.

Strawberries.

“Doubtless God could have made a better berry, but doubtless God never did. ” William Butler

No doubt, like me, you will have been feasting on fresh, ripe strawberries, maybe even eating them at Wimbledon? Nowadays strawberries are available all year round, or so it seems, but there is something rather special about eating a homegrown strawberry in July. Is it my imagination or do they simply taste better when they have had the chance to mature naturally?

Strawberries have inspired artists and designers over the centuries, there is something rather irresistible and satisfying about that plump, red, heart shaped berry with the tiny, decorative seeds dotted around its middle.



This “Strawberry Thief” design by William Morris will always be linked in my mind with this time of year. Maybe because it was one of the first textile designs that I studied as a schoolgirl and needed to apply that knowledge to summer exams!

Morris was said to have been inspired by the sight of thrushes stealing fruit from his garden at Kelmscott Manor. It presented him with many problems during printing, which he finally overcame, although it took many attempts and several years to produce the desired effect, which used a red alizarin dye, and a yellow weld combined with indigo blue.
I think I love it the most of all of his designs and my heart still skips a beat every time I see it.

"Watercolour" Tate Britain.

Today I would like to share with you some amazingly beautiful images courtesy of an extraordinarily gifted artist called Rachel Pedder-Smith.

I first came across her work in London recently during a visit to Tate Britain’s “Watercolour” exhibition. The exhibition features so many and varied artists whose work spans 800 years. There are medieval manuscripts, maps and botanical illustrations alongside works by Turner, Ravilious and Samuel Palmer to name but a few

I was immediately drawn to one painting in particular and that is how I discovered Rachel’s work. Her bean painting has everything I most admire in a work of art; it is inspired by nature, shows incredible artistry and attention to detail and has an overall marvelous sense of design. I am sure you will be smitten too! In the bean painting you are presented with something familiar, maybe even humble and everyday and yet you see it through the eyes of the artist who transforms each legume into a visual miracle. In the world of modern art we often hear the overworked saying about “challenging our preconceptions” as if that in itself were enough. I would say that this piece by Rachel does just that, it presents us with a selection of natural objects and through her skill and observation of the artist takes us to a new level. She makes us not only look but actually see.

As William Blake would say
“To see a world in a grain of sand,
And a heaven in a wild flower,
Hold infinity in the palm of your hand,
And eternity in an hour.”

You can see more of Rachel's paintings here on her website which also has a shop selling cards and prints.

You can learn more about the exhibition here, and now I will leave you with this beautiful image, Samuel Palmer's 'A Hilly Scene' (c.1826 - 1828). Tate. The exhibition runs until the 24th August, see it if you can, you will be enthralled.

The Cult of Beauty

The Victoria and Albert Museum in London is hosting an exhibition called “The Cult of Beauty”. It features the work of many artists and designers of the Aesthetic Movement, amongst them Walter Crane who has been a personal favourite of mine since my student days. Peacock feathers, lilies and sunflowers abound, not to mention the very many retail opportunities so when I saw this clothbound facsimile copy of “A Flower Wedding” I had to have it, you understand don’t you?

There were also lilies, sunflowers and peacock feathers to be seen in The Garden Museum, (next door to Lambeth Palace) in floral arrangements and growing in the church garden. The beautiful natural arrangement shown here was actually in the ladies loo. Art for Art’s sake, I am sure the Aesthetes would have approved.

And the winner is .....

We have a winner, the first name to be drawn out of the virtual hat, or random number generator if you prefer is ……. Rosie !

Thanks to all who entered in the giveaway and left such kind comments, I read each one with a happy heart and gratitude.

And now, back to work, I have a lovely newly stretched piece of paper on my drawing board but my mind is elsewhere. I left my inspiration somewhere in William Wordsworth country and forgot to pack it in my suitcase. I read this inspirational quote recently, which has been attributed to the poet “Fill your paper with the breathings of your heart”, despite searching I cannot trace it to any of his writings, do you know?

The lovely kitchen photograph was taken at Wordsworth House in Cockermouth, I did think of attributing it to my own larder but you would not fall for that now would you?