Galanthus and other Gallivantings

Earlier in February we visited The John Rylands Library in Manchester to see The Tregaskis Collection- a unique collection of beautiful bindings. The collection forms two parts - the first comprises of 73 copies of the Kelmscott Press’s Tale of King Florus and the Fair Jehane (1893). The books were bound by the most important binders of the day from all around the world and were commissioned by the booksellers James and Mary Lee Tregaskis. We were shown around the library by John Hodgson who is the keeper of manuscripts and archives at the library. We were allowed to pick up the books and inspect the contents and to take photographs.

With so many exquisite bindings to choose from, it is hard to know where to start. I was immediately drawn to the embroidered bindings. Walter Crane designed one of the bindings, which was embroidered by his wife. 

We marveled at the tiny stitches in this silk embroidery on the Japanese binding.

The second part of the collection was a centenary celebration of bookbindings commissioned by The Designer Bookbinders. This time over eighty copies of The Folio Society edition of Andrew Marvell’s The Garden and Other Poems illustrated by Harry Brockway was the chosen book. I particularly loved the tiny wood engravings and marveled at the artistry of both the illustrator and the binders.

Some of our party are fellows of The Designer Bookbinders and had bound some of the books on display. The photograph shows Paul Delrue holding the copy he bound; he had incorporated small strips of marbled paper in the binding in order to allow the book to open flat, see above. Paul has a website here- 

It was also very poignant to see the work of David Sellars on show. David had been a member of our group and had recently died. He left an amazing legacy of work and so his spirit will live on in his bindings. You can see more of his work here-

We also had the opportunity to see The Anthony Dowd Collection of modern British bookbinding’s. A book of patterned papers fascinated me, especially the decorative papers by Ravilious.

Later in the month I had a special little helper join my “studio” (a.k.a. dining room)

Our grandson was on half term and came for a visit. We enjoyed showing him nearby Little Moreton Hall, I think he enjoyed running around the garden best of all.

We also celebrated the first birthday of our granddaughter, how time flies.

I managed to do a little work in the midst of all this gallivanting, some Christmas themed commissions for greeting cards and also I made a start on some new prints.

The tiny wood engraving has yet to be printed. I am frustrated by my lack of engraving skills and can never manage to achieve what is in my head.

 The green vinyl is an alternative to lino, it cuts nicely; this is my first attempt which was inspired by one of the illustrations I did for “Can it be True?” I am still waiting for the opportunity to print it.

  Later in the month a very dear friend came to visit and we went to Rode Hall to see the Snowdrop Walk. This private house was once host to Walter Crane who often stayed as a guest. Whilst there he painted the family pets and the lake. Rode Hall is close to the potteries and I believe Walter Crane was introduced to important ceramic manufacturers resulting in his designs being used in their decoration. Apart from the wonderful gardens Rode Hall has an important collection of art, books and ceramics.

Before we returned home we bought some snowdrops to plant and some kitchen garden produce - six new laid eggs in such pretty colours it was a shame to eat them. The sky blue one was a treat!

Picnics and a Giveaway!

The picnic illustration is taken from ‘Where’s My Share?” one of my picture books which is in the process of being made into an App by Auryn Inc- more news of that to come soon!



After what seems like an eternal winter we finally have our much longed for summer and we have been out and about.

Firstly, a quick visit to our son in London and a walk along the river and a chance to admire the open space and fresh air. We found an array of interesting sights, buildings old and new and a small garden themed exhibition. It is heartwarming to see how pleasant the Thames is now and how nature can regenerate if we give it a chance. This quote was written on a metal container filled with plants and formed part of a larger garden display.

“There are indeed many good things in life which may be unequally apportioned and no such serious loss arise, but the need of quiet, the need of air, the need of exercise, and I believe, the sight of sky and of things growing, seem human needs, common to all.” By Octavia Hill who did so much to protect our green spaces and went on to found The National Trust.



Further along the river we visited the Bankside gallery, which was hosting an exhibition celebrating fifty years of wood engravings by Simon Brett. Inside we found Simon sitting quietly working and demonstrating his craft. I even had the chance to chat to him for a while and he gave me some advice on hand burnishing. I have admired his work for many years now so it was very pleasant to actually meet him in person and to watch how he engraves his blocks using a vast array of engraving tools.

Simon has a website here where you can learn more about his life and work.



On our return from London the lure of the summer sun won over indoor pursuits, we took Ted (foot now healed) on a lovely long walk up Bickerton Hill and and remembered the words of Octavia Hill as we admired the beautiful view across the Cheshire Plain. We packed a small picnic and ate our lunch to the hum of the bees and sound of birdsong. It really is a most lovely spot.



I attended another bookbinding workshop, this one was all about headbands and how to sew them. Our instructor was Nicky Oliver from Black Fox Bindery
It was an enjoyable and very companiable day, in the morning we made a single core headband and in the afternoon we made one with a double core. Like so many bookbinding skills it is easy when you know how. Nicky made it look so easy but I struggled to make a neat job, still I am determined to practise some more. Here are some photographs from the day and the work of class members.



Finally, I was contacted again by Novica who asked if we would like to have another giveaway, to which I answered, “Yes please!” Novica supports the work of craftsmen and women from around the world. I have a $50 gift voucher to give away, if you would like to take part in the draw please leave a comment which includes your desire to take participate and I will pick a winner from random in two weeks time- that will be on Tuesday 30th. Please bear in mind that the gift certificate does not cover the cost of postage and there may be taxes to pay depending on where you live.



I have been particularly attracted to the work of a Novica designer called Ritu Agnihotri who specializes in textile design featuring a blend of embroidered work with strong print lines. Her blouses would be great to wear on warm summer evenings-

Or maybe you would prefer something like this?

In fact, there are so many lovely handcrafted beauties; it is hard to make a decision.

Hope you are enjoying your summer, good luck everyone!

Like a kid in a sweet shop!

"Like a kid in a sweet shop" is how my husband described my behavior yesterday at the Fine Press Book Fair in Oxford yesterday! You can visit their website by following this link.
Oxford Fine Press Book Fair

Amongst the many exhibitors was Andy English (in the photograph above) whose work I admire greatly. It was a pleasure to see him in action carving a new block. I also got the chance to see his new collection of engravings for "The Woman in Black" by Susan Hill. Amongst his collection of exhibits were individual prints, bookplates and miniature books including a new, limited edition of "A Prospect of Ely" which you can see in the foreground of the photograph. (If you click on the photograph you will see more details.)

Andy is a full-time professional engraver, he has a blog called The Wood Engraver where you can learn more about his work with links to his website and shop.

The book fair was a great place to buy papers, so many beautiful hand marbled and paste papers and a lovely selection from The Curwen Press in particular caught my eye. There were stalls selling leather and bookbinding supplies too as well as stands selling beautifully produced hand bound books. The overall effect was so exciting and inspiring that today I feel rather exhausted.

I should be putting the finishing touches to my latest painting, shown below, almost finished now but I need to think a little more about the last bits. I had toyed with the idea of using gold leaf but now am not so sure.....?

Wood Engraving Workshop

Last weekend I went to a wood engraving workshop here at Northern Print.
I have been a long time admirer of wood engraving and have been promising myself that one day I would try to learn from an expert, there is only so much you can do from books and videos, there is nothing to compare to watching a craftsman’s hands at work.

The class was held by Chris Daunt whose work I had admired at The Bankside Gallery earlier this year. He is a member of The Society of Wood Engravers and has a website here, where you can buy wooden blocks and learn more about the craft. The class was well attended and everyone came away with a series of prints. Although I did not manage to finish my block on the day I carried on at home and got it completed, although I don’t have a press, instead I used a hand burnisher. I now feel more confident to do more engraving and have a better understanding of how to hold the tools and how much pressure to use.



We stopped off at Durham and explored the lovely old cobbled streets around the cathedral. Both Newcastle and Durham have magnificent and dramatic locations, steeped in history and art, they are also very friendly, warm places and we hope to go back again before too long.

L is for Lichfield.

Over the weekend we visited Lichfield, a lovely old, character filled Cathedral city in the heart of the Staffordshire countryside. When we first married we lived fairly close and visited often. Nowadays our visits are few and far between and each time we go we keep our fingers crossed that the special places we so loved are still there.


Thankfully, Lichfield remains as charming and quirky as ever, with its Cathedral, market, historic houses and museums. Samuel Johnson was born here and Erasmus Darwin lived here too, his herb garden is not to be missed. There is also a wonderful old Tudor teahouse built in 1510 and still doing brisk business on the day of our visit.

We were very sad to see that the lovely old antiquarian bookshop was about to close its doors after 65 years, in fact the day we visited was one of its last days of trading. This shop once had an amazing stock selling not only antiquarian books but also sheet music, prints and ephemera and you could wander up rickety staircases through nine rooms filled with printed treasures. At first I did not see anything of interest in the few remaining rooms of stock until my eyes alighted on a small cardboard box on a bookshelf near the exit.



My heart skipped a beat when I saw the contents! This was more like it- tiny miniature editions, special facsimile editions, envelopes containing antique bookplates, toy books, old post cards, invitations to illustrators exhibitions and then this .. dated 1886, The Socialist Platform No 4 socialist League pamphlet, (probably unread because the pages had not been cut at the head) by William Morris with an illustration by Morris on the cover, price £1. Not a reproduction, the genuine article! Also going for a song where several copies of Kate Greenaway's Alphabet miniature facsimile books (1973) and unbound editions of "An Account of the life of Dr.Samuel Johnson from birth to eleven years".



After checking and rechecking with the owner that the prices were correct, all of them seemed too low even for a closing down sale, I finally came away with most of the contents of the box. I thought that I would keep some, give some and put a couple in my Etsy shop in order to share my good fortune with fellow book worms. I will be listing my finds in the next few days but I have no idea what I will do with the pamphlet, any ideas?



No trip to Lichfield would be complete without a visit to the Cathedral, so after a quick peep into the herb garden, we climbed the ancient stone steps up to the Chapel of St Chad, after paying our respects to the Lichfield Angel. As we sat in the little chapel the choir who were assembled for a practice started to sing, a fitting end to a heavenly day.

Japanese Kozo Paper

I have been patiently waiting for the arrival of suitable paper in order to print my wood engraving. I took advice from Chris Daunt who has been more than helpful with advice and supplies. If you are thinking of trying this craft I would suggest you visit his website first.

Chris advised Japanese White Kozo paper for hand burnishing. This method is an alternative to printing in a press. I was very surprised when my order came, the paper is very fine, like tissue paper and at first I thought I had ordered incorrectly. I have since learnt that Kozo is extremely strong and is nothing like our western pulp made paper. This Japanese paper is made with the fiber from the inside of the bark of the Mulberry tree. Its long, fine fibers give the paper strength, flexibility and smoothness, which are perfect for printing; it is also used in conservation and book repair. Its translucent quality also helps when burnishing as you can see the print through the paper so you have a better idea where to apply the pressure.

I found that the paper performed well and was a pleasure you use. I may try different papers in due course, the ladies at the paper suppliers were very helpful and have even promised me some free sample sheets to experiment on! For the time being I have decide to put some of the prints into my Etsy shop in the hope that I may be able to fund more materials and maybe a workshop or two!

Messing and Pressing

Whilst I was in the printmaking mood over the half term holiday I felt inspired to do more lino printing. Nothing is ever as straightforward as it seems and I spent lots of time experimenting with different papers and methods of printing. Eventually I settled on a lovely grey paper that I had squirreled away in my plan chest, the smooth surface took the linseed oil based ink very well, sadly I did not make a note of the name of the paper. I used my old office press to print the piece and wondered why my arm ached so much afterwards. I now know why they say, “Hand pulled” when describing the printing process!



I happily filled the kitchen table and every other surface in the house with prints whilst my family fended for themselves. I found a low odour white spirit, which made the job more acceptable but did not realize how long each piece would take to dry; still, we live and learn.

I had a go at printing my wood engraving but decided to do a bit more tinkering with the block. You can see how it is looking so far in the photograph. As you can see the wood had irregularities, which I tried to disguise in the design. I was thrilled to bits with my new burnisher, which worked a treat on the block. If you have ever fancied having a try at wood engraving I would encourage you to do so. I was pleasantly surprised at how little pressure is needed to make a cut and so few materials and space are needed.



I have listed a lino print in my Etsy shop; I do love playing shop don’t you? Now sadly, playtime is over and it’s nose to the grindstone for the next few months.

Black and White and shades of grey.

Work on “The Bird with the Rainbow Tail” is progressing well and I have been taking inspiration from the world of black and white, line art and wood engraving. Most of the work for this project has been executed in pen and ink, using black line drawings as a starting point. I hope to share some of these images soon; in the meantime I would like to share with you the work of Michelle Palmer who draws onto vintage linen. Her work is very detailed and delicate and now I am the proud owner of these little beauties after winning her blog give away, thank you Michelle!


For some time now I have been promising myself that I would try my hand at wood engraving, having admired the work of such luminaries as Clare Leighton, Reynolds Stone and Eric Ravilious, for many years. Thanks to the wonders of the internet I have been able to source materials and view instructions which has enabled me to have a stab myself, in fact that is exactly what I have done, several times, those tools are sharp! I would really like to do a workshop, as it is so hard to try to teach oneself.

After several abortive attempts and many practice pieces I finally managed to produce one engraving which I will try to print, you can see my work in progress above. The wood is end grain boxwood, which is very hard and polished to a very smooth finish; it is also very expensive which makes my many mistakes even harder to bear. Now I know how difficult this craft is it has increased my appreciation for this beautiful art form.



The white foxgloves have finally flowered and are being visited by many bumblebees. I came across this wonderful wood engraving of foxgloves by Andy English, a master engraver; you can see it by following this link
Andy also has a wealth of knowledge which he has very kindly made available on his website.