Showing posts with label John Rylands. Show all posts
Showing posts with label John Rylands. Show all posts

7/12/2015

Mind your P's and Q's.

     
Around this time forty years ago, I graduated from art college. I had studied textile design at The Manchester School of Art and Design- now Manchester Metropolitan University. I met up with my fellow graduate friend Pam and had a lovely day reminiscing about our student days, our hopes and dreams all those years ago. We enjoyed exploring old haunts and discovering the more recent additions to the city.


When we were students The John Rylands Library was something of a mystery to us, in fact I don’t really remember it ever being accessible to the public until fairly recently. It is now one of Manchester’s tourist attractions and welcomes visitors with open arms. It also has a more modern extension with exhibition areas, cloakrooms, a cafĂ© and a shop.


Like many of Manchester’s buildings the library was designed in the Neo-Gothic style so loved by the Victorians. It has many splendid features, beautiful stained glass, hidden balconies, amazing ceilings and books of course! It also hosts exhibitions and houses several printing presses and we both wished we had the space and funds to own at least one of those presses.

Although an Albion style press is far too large and difficult to accommodate, the Adana is much more suited to home use. So, when my blog friend Gretel told me she had one in need of a good home, how could I refuse?

Adana 8 by 5 without rollers
Those of you who are familiar with Gretel will be pleased to know that she is doing well, busy as ever and enjoying life in rural “Middle of Nowhere”. She made us some scrumptious scones and a lovely day was had by all. I returned with this- An Adana 8 by 5.

I hope to someday use the press to print my wood engravings, small lino prints and maybe even some type. In order to learn more about the press and how to restore and use it, I decided to take myself off to this amazing place- The St Bride Foundation, which offers classes in printmaking and typography. It is situated just off Fleet Street in London and is well worth a visit if you are ever in the area.


Learning about typography is fascinating. If you have ever used a word processor or computer application you will be familiar with font sizes and types. It all fits into place when you realise that a point is an actual measurement- an inch divide into 72.

Next time you select a 12-point font think of it as a measurement, 12 over 72 is one sixth of an inch also known as a pica. My head is in a spin.

The other thing you have to be very careful of is minding your P’s and Q’s. When you select a letter it appears back to front. As you can see I made a mistake, can you spot it? Spelling was never my strong point; as for back to front spelling- no chance!




3/01/2015

Galanthus and other Gallivantings


Earlier in February we visited The John Rylands Library in Manchester to see The Tregaskis Collection- a unique collection of beautiful bindings. The collection forms two parts - the first comprises of 73 copies of the Kelmscott Press’s Tale of King Florus and the Fair Jehane (1893). The books were bound by the most important binders of the day from all around the world and were commissioned by the booksellers James and Mary Lee Tregaskis. We were shown around the library by John Hodgson who is the keeper of manuscripts and archives at the library. We were allowed to pick up the books and inspect the contents and to take photographs.


With so many exquisite bindings to choose from, it is hard to know where to start. I was immediately drawn to the embroidered bindings. Walter Crane designed one of the bindings, which was embroidered by his wife. 


We marveled at the tiny stitches in this silk embroidery on the Japanese binding.



The second part of the collection was a centenary celebration of bookbindings commissioned by The Designer Bookbinders. This time over eighty copies of The Folio Society edition of Andrew Marvell’s The Garden and Other Poems illustrated by Harry Brockway was the chosen book. I particularly loved the tiny wood engravings and marveled at the artistry of both the illustrator and the binders.



Some of our party are fellows of The Designer Bookbinders and had bound some of the books on display. The photograph shows Paul Delrue holding the copy he bound; he had incorporated small strips of marbled paper in the binding in order to allow the book to open flat, see above. Paul has a website here- 


It was also very poignant to see the work of David Sellars on show. David had been a member of our group and had recently died. He left an amazing legacy of work and so his spirit will live on in his bindings. You can see more of his work here-

We also had the opportunity to see The Anthony Dowd Collection of modern British bookbinding’s. A book of patterned papers fascinated me, especially the decorative papers by Ravilious.


Later in the month I had a special little helper join my “studio” (a.k.a. dining room)
Our grandson was on half term and came for a visit. We enjoyed showing him nearby Little Moreton Hall, I think he enjoyed running around the garden best of all.

We also celebrated the first birthday of our granddaughter, how time flies.


I managed to do a little work in the midst of all this gallivanting, some Christmas themed commissions for greeting cards and also I made a start on some new prints.
The tiny wood engraving has yet to be printed. I am frustrated by my lack of engraving skills and can never manage to achieve what is in my head.



 The green vinyl is an alternative to lino, it cuts nicely; this is my first attempt which was inspired by one of the illustrations I did for “Can it be True?” I am still waiting for the opportunity to print it.


  Later in the month a very dear friend came to visit and we went to Rode Hall to see the Snowdrop Walk. This private house was once host to Walter Crane who often stayed as a guest. Whilst there he painted the family pets and the lake. Rode Hall is close to the potteries and I believe Walter Crane was introduced to important ceramic manufacturers resulting in his designs being used in their decoration. Apart from the wonderful gardens Rode Hall has an important collection of art, books and ceramics.


Before we returned home we bought some snowdrops to plant and some kitchen garden produce - six new laid eggs in such pretty colours it was a shame to eat them. The sky blue one was a treat!


12/12/2011

Shine up your buttons with Brasso!



Since my last post I have hardly had time to draw breathe, it has been such a busy time. As any of you who are self employed know, it is usually a case of feast or famine. Luckily, the former has been the case and I have had the luxury of working on Christmas projects in December, so much more inspiring than July. I have promised to keep this work under wraps for now so you will just have to take my word for it!

I am otherwise very late and disorganized regarding Christmas; not a single Christmas card sent and no decorations hung. I have, however, been doing lots of clearing, sorting, cleaning and polishing. Oh, the joys of Brasso! There are few things more Christmassy than a brass candlestick shone to perfection.



We have had some lovely joyful events including a 30th birthday celebration of our eldest son, now that does make me feel old! When our boys were little I had a bit of a craze for cross stitch and managed to complete two samplers celebrating their births. Well, guess what, I eventually got around to framing them, better late than never, and now have them hanging in my newly tidied and sorted “office corner”. When I took my prints and things into the framers I noticed a shop selling hand made custom furniture at very reasonable prices so I had a desk made to fit my small alcove. I am so pleased with myself for getting around to a mammoth tidying and sorting, a place for everything and everything in its place. Well that is the theory anyhow!



Still on the cross stitch theme, I was contacted by a Turkish company who have made some of my designs into cross stitch patterns. They have promised to send me copies and I am very intrigued to see their interpretations. It seems that everyone is asking for cross stitch again and the more I think about it the more inspired I feel to do some more. It lends itself perfectly to cosy firesides on winter’s evenings.



We also had an invitation to John Rylands library in Manchester, to see their annual exhibition of Designer Bookbindings, always a treat. Manchester looked particularly festive with Christmas street markets in and around Albert Square. All in all, it’s getting to look a lot like Christmas, I really must get a move on.